New York City Opera: The Barber of Seville

New York City Opera: The Barber of Seville

156 mins

Performed at the Lincoln Center. Conducted by Sarah Caldwell. The staging and costuming explicitly telegraphed the characters. For example, Rosina (Beverly Sills) has a gown with feathers and her room resembles a birdcage complete with a swing, telegraphing her as being confined like a bird.. Figaro (Alan Titus) looks like a barber pole, while the notary (Michael Rubino) has an inkwell on his hat. Dr. Bartolo (Donald Gramm) wears two pillars that are cracked after his plans to marry Rosina are thwarted. Tenor Henry Price as Almaviva sports books in his disguise as a student.

New York City Opera: The Barber of Seville

156 mins

New York City Opera: The Barber of Seville
Performed at the Lincoln Center. Conducted by Sarah Caldwell. The staging and costuming explicitly telegraphed the characters. For example, Rosina (Beverly Sills) has a gown with feathers and her room resembles a birdcage complete with a swing, telegraphing her as being confined like a bird.. Figaro (Alan Titus) looks like a barber pole, while the notary (Michael Rubino) has an inkwell on his hat. Dr. Bartolo (Donald Gramm) wears two pillars that are cracked after his plans to marry Rosina are thwarted. Tenor Henry Price as Almaviva sports books in his disguise as a student.
Producers
Original title New York City Opera: The Barber of Seville
Directors Kirk Browning
Writers Cesare Sterbini

Cast

Beverly Sills

as Rosina

Henry Price

as Count Almaviva

Alan Titus

as Figaro

Donald Gramm

as Doctor Bartolo

Samuel Ramey

as Basilio